"Il faut signaler, parmi les moments forts du festival, son magnifique Prologue pour alto et résonateurs électroniques...rendus avec sensibilité et intensité par l'altiste Pemi Paull"
- Isabelle Picard, La Scena Musicale
"For me - and, I am sure, for others in the audience - the Violin Partita No.2, BWV1004, with its astonishing final chaconne, was the undisputed highlight of the evening. The latter, of course, is accustomed to transcription - Brahms, Busoni and Segovia, to name but three, all arranged it for their instruments. But the viola is particularly suitable (provided one does not mind its being played a fifth below written pitch) and one could argue that its weightier sound brings an even greater than usual profundity to the music - especially when it is this well played."
"To all of these challenges, and more, Paull rose with aplomb, playing stylishly and with great accuracy. He produced a wonderfully, richly eloquent zigeuner tone in the opening Hora lunga and some unearthly harmonics at its close. In fact each movement was clearly characterised and beautifully played."
- Deryk Barker, Music in Victoria
"It is my strong believe that violist Pemi Paull is an exceptional musical talent...I am very impressed by Paull's capacities, both intellectually as well as musically.
He has shown a rare understanding of our profession. The versatility is amazing: from baroque to Ligeti, from solo performances to chamber music..."
- Henk Guittart, Violist of the Schoenberg Quartet and Co-Artistic Director of the Banff Centre